Tag Archives: Woodstock

1. Fast Times at Ridgemont High

While cable television first became available in 1948, it wasn’t until the early 1980’s that the Home Box Office was made available to greater metropolitan areas.  About the same time, 1982, Fast Times at Ridgemont High was released nationally in theaters.  After going undercover in 1981 at Clairemont High in San Deigo, California, Cameron Crowe received the material he needed to complete this script.  Subsequently, this film persuaded a generation of teenagers to alter their values.  Instead of falling in love, sex became the ultimate goal of a relationship, fueling the sexual revolution that began at Woodstock.

Flee from sexual immorality. Every other sin a person commits is outside the body, but the sexually immoral person sins against his own body, 1 Corinthian 6:18.

2. Animal House

Four years earlier, National Lampoon magazine created a movie based upon Chris Miller’s experiences as a fraternity member of Alpha Delta Phi at Dartmouth College.  Additional influences came from Harold Ramis and producer Ivan Reitman during similar encounters of fraternity life in college.  Although this comedy was meant to laugh at these endeavors, a generation of college students were inspired to emulate similar practices.  Since art often imitates life, ethics, faith and morality are being discarded or put on hold until fantasies and the pleasures of this world have been satisfied.

The world and its desires pass away, but whoever does the will of God lives forever, 1 John 2:17.

3. Fatal Attraction

This final film is geared toward adults, for those individuals who have considered, contemplated or fallen into an extramarital affair.  In the 1987 thriller, Michael Douglas hooks up with a woman, Glenn Close, when his wife and daughter are away for the weekend.  When Close becomes obsessed with Douglas, this fatal attraction takes a toll on his life and marriage.  While couples initially flocked to the theaters to salvage their marriage, conviction and guilt did not last long.  Nearly thirty years later, fatal attractions seem to be a weekly occurrence either in high schools, college or the work place.  Somewhere along the way, these three films have persuaded a generation to abandon Judeo-Christian values for humanism, secularism or to satisfy worldly desires.  May a new film or movement shift the tides of change to prevent Americans from slipping closer over the edge toward hell.

by Jay Mankus