Tag Archives: Rock

The Message Behind the Music-August 28

Starship – We Built This City (Official Music Video) [HD]

Inspiration Behind We Built this City:

Starship’s We Built This City was conceived from a combination of personal experiences, industry observation, and creative reshaping. The WE include song writers Bernie Taupin and Martin Page with production input from Dennis Lambert and Peter Wolf. When Starship’s producers heard the demo, they decided to transform it into a pop hit, shifting their attention from the city of Los Angeles to San Francisco.

Biblical Application:

So neither the one who plants nor the one who waters is anything, but only God, who makes things grow. The one who plants and the one who waters have one purpose, and they will each be rewarded according to their own labor. For we are co-workers in God’s service; you are God’s field, God’s building, 1 Corinthians 3:7-9.

Exegesis of We Built This City:

We built this city
We built this city on rock and roll
Built this city
We built this city on rock and roll, oh

Music inspires construction workers as they build the latest project.

Say you don’t know me
Or recognize my face
Say you don’t care who goes
To that kind of place
Knee-deep in the hoopla
Sinking in your fight
We’ve got too many runaways
Eating up the night

A reference to societal influences. Meanwhile, city and local rules make construction projects complicated. Then, there is a mention to the breakdown of the family resulting in numerous homeless teenagers.

Marconi plays the mambo
Listen to the radio, don’t you remember?
We built this city
We built this city on rock and roll

Perhaps cars stuck in traffic, rolling down their windows as music from a local radio station airs.

We built this city
We built this city on rock and roll
Built this city

We built this city on rock and roll

Music provides a pulse and sets the tone for residents living in this city.

Someone always playing
Corporation games
Who cares they’re always changing
Corporation names
We just wanna dance here
Someone stole the stage
They call us irresponsible
Write us off the page

Alluding to politics within construction projects in major cities. Referring to a new night club. Receiving negative press for something that other people did.

Marconi plays the mambo
Listen to the radio, don’t you remember?
We built this city
We built this city on rock and roll

The lead into the chorus is repeated. Music influences the moods of people.

We built this city
We built this city on rock and roll
We built this city
We built this city on rock and roll
We built this city
We built this city on rock and roll
We built this city
We built this city on rock and roll

Starship’s song has continued the power that music has on impacting cities.

It’s just another Sunday
In a tired old street
Police have got the chokehold, oh
And we just lost the beat

Morning patrols are trying to be proactive to prevent violence in an unsafe part of town.

Who counts the money
Underneath the bar?
Who rides the wrecking ball
Into our guitars?
Don’t tell us you need us
‘Cause we’re the ship of fools
Looking for America
Coming through your schools

Exposing corruption within local businesses. Perhaps a jab at government planning, who decides which establishments remain and which are torn down. Government lies about decaying public schools.

Marconi plays the mambo
Listen to the radio, don’t you remember?
We built this city
We built this city on rock and roll

The closing stanzas end with the chorus. The power of music inside of vehicles.

We built this city
We built this city on rock and roll
We built this city
We built this city on rock and roll

Local clubs and radio stations provide soul to their residents.

We built this city
We built this city on rock and roll
We built this city
We built this city on rock and roll, oh

Los Angeles and San Franciso were built by construction workers listening to music.

Final Thoughts:

When I got my first Walkman for Christmas, I immediately began to play music when I went running. Whenever a great song started playing, adrenaline filled my body, propelling me to run faster and faster. When I wasn’t running, I played certain songs to prepare my mind before swim meets and golf matches. If things started to get out of control, words from a chorus would get me back on track to fight through adversity. This is how music has impacted my life.

by Jay Mankus

The Message Behind the Music-August 17

Rockaway Beach (40th Anniversary Tracking Mix)

Inspiration Behind Rockaway Beach:

Dee Dee Ramone whose real name is Doug Colvin grew up visiting Rockaway Beach in Queens, New York. Dee Dee recalls taking a bus or hitchhiking there every summer as a teenager. As the bassist for the Ramones, Dee Dee wrote Rockaway Beach which went on to become the bands highest ranking song on the Billboard Charts.

Biblical Application:

Early in the morning, Jesus stood on the shore, but the disciples did not realize that it was Jesus. He called out to them, “Friends, haven’t you any fish?” “No,” they answered. He said, “Throw your net on the right side of the boat and you will find some.” When they did, they were unable to haul the net in because of the large number of fish, John 21:4-6.

Exegesis of Rockaway Beach:

[Intro]
One, two, three, four

Making sure the band is on the same page as they begin.

[Verse 1]
Chewing out a rhythm on my bubble gum
The sun is out and I want some
It’s not hard, not far to reach
We can hitch a ride to Rockaway Beach

Up on the roof, out on the street
Down in the playground, the hot concrete
Bus ride is too slow
They blast out the Disco on the radio

Recollections from a teenage going to the beach. The beach is like a mall in the summer, where teens like to hang out. The places where Dee Dee went when he was young.

[Chorus]
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
We can hitch a ride to Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
We can hitch a ride to Rockaway Beach

Not much of a creative chorus, simply repetitive with a desire to go to the beach and the cheapest way to arrive.

[Bridge]
It’s not hard, not far to reach
We can hitch a ride to Rockaway Beach
It’s not hard, not far to reach
We can hitch a ride to Rockaway Beach

Anyone can get there if you try hard enough.

[Verse 2]
Chewing out a rhythm on my bubble gum
The sun is out and I want some
It’s not hard, not far to reach
We can hitch a ride to Rockaway Beach

Up on the roof, out on the street
Down in the playground, the hot concrete
Bus ride is too slow
They blast out the Disco on the radio

Using poetry and a catchy tune to celebrate going to this beach. Describing the conditions you should expect once you arrive. Going on the bus isn’t cool but when you hitch a ride the disco is blasting on the radio.

[Chorus]
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
We can hitch a ride to Rockaway Beach

The preferred way of travel to Rockaway Beach.

[Chorus]
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
We can hitch a ride to Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
Rock, rock, Rockaway Beach
We can hitch a ride to Rockaway Beach

Ending with a repetitive chorus as there is no mention of actually going in the water.

Final Thoughts:

Rockaway Beach is a classic example of a band focusing on a beat and sound rather than the lyrics. Shorter songs can get away with this if a tune is catchy. On the other hand, sometimes record labels want a new album every year or two so there will also be songs that lack inspiration or are simply added at the last minute. My favorite beach songs paint a vivid picture that communicate lasting memories of one’s past.

by Jay Mankus

The Message Behind the Music-August 8

The New Basement Tapes – Kansas City

Inspiration Behind Kansas City:

Bob Dylan’s 1967 handwritten lyrics from the Basement Tapes era inspired the song Kansas City 47 years later. These resurfaced notes led producer T Bone Burnett to recruit 5 musicians to create the melody for the lyrics to Kansas City. This recording is now known as the New Basement Tapes.  In 1967, Bob Dylan had transformed from an obscure folk singer into a global rock icon in just five years of performing.

Biblical Application:

It is right for me to feel this way about all of you, since I have you in my heart and, whether I am in chains or defending and confirming the gospel, all of you share in God’s grace with me. God can testify how I long for all of you with the affection of Christ Jesus, Philippians 1:7-8.

Exegesis of Kansas City:

I listen to you time and time again
While you tell me just what’s right
And you tell me a thousand things a day
Then sleep somewhere’s else in the night
I’m going back to Kansas City

Listening to a song. the band or combination of fans/producer to get this sound right. Confiding in a friend while Dyfan had a desire to return to Kansas City.

And I love you dear, but just how long
Can I keep singing the same old song
And I love you dear, but just how long
Can I keep singing the same old song
I’m going back to Kansas City

Kansas City is either where he lived in the 1960’s or its where his girlfriend or wife resided at this time. Bob felt tired of his folk style, wanting to go in a different direction. Deep inside his heart and soul, Bob knew it was time for a change. Perhaps Kansas City could be a recording studio or a place where his creative side exceled.

And you called me to come, then I do
Then you say you’ve made some mistake
You invite me into your house
Then you say gotta to pay for what you break
Going back to Kansas City

Dylan appears to be referring to a former band member or record producer. This house is so nice that the owner expects any visitors to pay for anything that is damaged.

And I love you dear, but just how long
Can I keep singing the same old song
And I love you dear, but just how long
Can I keep singing the same old song

I’m going back to Kansas City

While Bob initially enjoyed his folk style of music, 4 plus years was enough. Something new was on the horizon. Lets find this new sound in Kansas City.

Gypsy woman, you know every place I go
Even a thousand miles away from home
And you don’t care if I’m asleep or I’m awake
This fickle heart just turned to stone
Going back to Kansas City

Bob developed a cult following, with some women following him from city to city. However, Dylan wasn’t pleased with his current genre, feeling dead inside. This spawned a desire for change with the answer in a Kansas City studio.

And I love you dear, but just how long
Can I keep singing the same old song
And I love you dear, but just how long
Can I keep singing the same old song
I’m going back to Kansas City

The lyrics conclude with back-to-back choruses. Bob wanted to go in a different direction.

And I love you dear, but just how long
Can I keep singing the same old song
And I love you dear, but just how long
Can I keep singing the same old song
I’m going back to Kansas City

This conviction led to the New Basement Tapes, bringing Bob’s music back to life.

Final Thoughts:

As the years of my life grow old, I feel the need to redefine who I am every decade or so. The first twenty years of my life were dedicated to sports. The next decade to becoming a father. From here, I transitioned into a coach and a teacher. The last 15 years of my life evolved into becoming a leader for Amazon. While I still have aspirations to become an author and screen writer, only God knows where I’ll end up. Yet, for now, my home is in Virginia. As fpr success. C.S. :ewis once described this as the process of arriving. Those who think they have arrived stop growing, become complacent and never reach their full potential. This is the journey that Bob Dylan took from a folk singer into becoming a rock icon.

by Jay Mankus

The Message Behind the Music-July 9

Bruce Springsteen – Born in the U.S.A. (Official Video)

Inspiration Behind Born in the USA:

The context of Born in the USA is written from the perspective of a soldier who served in the Vietnam War. Upon arriving home safely, unlike many of his fellow soldiers, he was met with economic hardship. Despite the overwhelming popularity of Born in the USA, Bruce attacks the American government as it failed to help veterans reintegrate back into the work force. The lyrics also warns Americans that being born in this country doesn’t guarantee success in realizing the American Dream. Since the Vietnam War was the first to have nearly unlimited media access like the film Good Morning Vietnam, journalists back in America began to label Vietnam vets as baby killers. Films like Rambo depict how Bruce Springsteen felt about how the government let Vietnam vets down.

Biblical Application:

A time to tear and a time to mend, a time to be silent and a time to speak,
 a time to love and a time to hate, a time for war and a time for peace, Ecclesiastes 3:7-8.

Exegesis of Born in the USA:

Born down in a dead man’s town
The first kick I took was when I hit the ground
End up like a dog that’s been beat too much
‘Til you spend half your life just to cover it up now

This individual came back from war to return to a dying town. This was like a gut punch to this soldier. Human beings can only take so much before they crack. The transition from soldier to worker took half of his life.

Born in the USA
I was born in the USA
I was born in the USA
Born in the USA, now

This soldier was born in the USA, but his life was far from the American dream.

Got in a little hometown jam
So they put a rifle in my hands
Send me off to a foreign land
To go and kill the yellow man

This man turned to the military for direction in life. He was trained to shoot and kill the enemy in the Vietnam War.

Born in the USA
I was born in the USA
Born in the USA
I was born in the USA

This was the dilemma for this soldier born in America,

Come back home to the refinery
Hiring man said, “Son, if it was up to me”
Went down to see my V.A. man
He said, “Son, don’t you understand, now?”

This journey led to working at a refinery. However, the hiring manager referred him to the VA to see what other military options were available. No one is being straight with this soldier.

Oh, yeah
No, no
No, no, no

This is the frustration of this veteran.

I had a brother at Khe Sanh
Fightin’ off them Viet Cong
They’re still there, he’s all gone
He had a woman he loved in Saigon
I got a picture of him in her arms now

Perhaps this song is about Bruce’s brother. The people he was fighting are still alive, but he died. This soldier left behind a woman that he loved.

Down in the shadow of the penitentiary
Out by the gas fires of the refinery
I’m ten years burnin’ down the road
Nowhere to run, ain’t got nowhere to go

Bruce feels for the former veterans who have lost their way. Down on their luck with nowhere to turn.

Born in the USA
I was born in the USA, oh
Born in the USA
I’m a long-gone daddy in the USA, now

This is the sad story of a forgotten US veteran.

Born in the USA
Born in the USA
Born in the USA
I’m a cool rocking daddy in the USA, now

Bruce ends with a positive spin.

Final Thoughts:

Mixing politics with music usually doesn’t have a positive ending. The lyrics remind me of the Rambo series of movies based upon the John Rambo character who is the lone survivor of an elite squadron. Those who didn’t die in Vietnam died or cancer from the chemicals of war they were exposed to. While Born in the USA remains a popular song today, the lyrics reveal a sad story about the casualties of war.

by Jay Mankus

The Message Behind the Music-June 17

China Grove

Inspiration Behind China Grove:

Led singer and songwriter Tom Johnston was moved to write a song about a fictional small town. Tom envisioned a place where gossip spread throughout a quirky town. Oddly enough, Tom wasn’t aware that China Grove was an actual place in Texas. Nonetheless, Johnston stuck with his invented China Grove where a guitar riff and chord structure naturally flowed during a Doobie Brothers’ jam session. Once everything was put together, China Grove became one of the Doobie Brothers all-time hits.

Biblical Application:

A scoundrel plots evil, and on their lips it is like a scorching fire. 28 A perverse person stirs up conflict, and a gossip separates close friends, Proverbs 16:27-28.

Exegesis of China Grove:

When the sun comes up on a sleepy little town
Down around San Antone
And the folks are risin’ for another day
‘Round about their homes

Tom has a vision of a town in remote Texas town. The locals are getting up to start a new day.

The people of the town are strange
And they’re proud of where they came
Well, you talkin’ ’bout your China Grove
(talkin’ ’bout your china grove)
Whoa, oh (whoa, oh) China Grove

Citizens are obvious to this quirky town. They are proud of this place, boasting of China Frove.

Well the preacher and the teacher
Lord, they’re a caution
They are the talk of the town
When the gossip gets to flyin’ and they ain’t lyin’
When the sun goes underground

Church and school leaders are outspoken. These individuals are the talk of the town. When the sun goes down, gossip intensifies.

They say that the father’s insane
And dear Mrs. Perkin’s a game
Well, talkin’ ’bout your China Grove
(talkin’ ’bout your china grove)
Whoa, oh (whoa, oh) China Grove

A priest and female teacher have been targeted as the town begins to believe this slander as truth. This is just another day in China Grove.

But everyday there’s a new thing comin’
The ways of an oriental view
The sheriff and his buddies with their samurai swords
You can even hear the music at night

People from the Far East has recently relocated. They have brought their oriental practices with them. Even their music stands out at night.

Though it’s a part of the Lone Star State
People don’t seem to care
They just keep on lookin’ to the east

Texas doesn’t mind immigrants, waiting on the sun to rise on another day.

Talkin’ ’bout your China Grove
(talkin’ ’bout your china grove)
Whoa, oh (whoa, oh) China Grove

The lyrics point to a new section of town. The fictional China Grove, not the actual same town in Texas.

Final Thoughts:

When I entered high school, China Grove was one of my favorite songs. Back in these days, I didn’t pay attention to lyrics, my main focus was the beat, melody and sound. Decades later, the lyrics could refer to any small town as gossip and pride can be found anywhere. This sad reality can spread like a spiritual cancer, ruining the lives and reputations of good people. Perhaps, in their later years, songs like Jesus is still alright with me by the Doobie Brothers provided a more positive message.

by Jay Mankus

The Message Behind the Music-May 30

Bruce Hornsby & The Range – The Way It Is (Video Version)

Inspiration Behind The Way It Is:

Bruce Hornsby wrote The Way It Is in a garage while living in California. Bruce wanted to craft a song that addressed social inequality that he witnessed firsthand. Subsequently, the lyrics address the poor, racism, and complacency with the statis quo. Once the music and piano riff were created, the Way It Is became a smashing success.

Biblical Application:

Whoever keeps commandments keeps their life, but whoever shows contempt for their ways will die. 17 Whoever is kind to the poor lends to the Lord, and he will reward them for what they have done, Proverbs 19:16-17.

Exegesis of The Way It Is:

Standin’ in line marking time
Waiting for the welfare dime
‘Cause they can’t buy a job
The man in the silk suit hurries by
As he catches the poor old lady’s eyes
Just for fun he says, ‘Get a job’

Bruce provides a glimpse of how the poor and wealthy are worlds apart.

That’s just the way it is
Some things’ll never change
That’s just the way it is
Ha, but don’t you believe them

This is what Bruce witnessed in California. Although he doesn’t like it, this is the way it was at this time.

Said, ‘Hey little boy you can’t go
Where the others go
Cause you don’t look like they do’
Said, ‘Hey, old man how can you stand
To think that way
Did you really think about it
Before you made the rules? ‘
He said, ‘Son

Race relations in the 1960’s or later depending upon the state or town. A similar scene occurred in Remember the Titans.but these students tried to change the social norms.

That’s just the way it is
Some things’ll never change
That’s just the way it is’
Ha, but don’t you believe them

Ooo, yeah (instrumental)

(That’s just the way it is)
(That’s just the way it is)

Some people are afraid to speak out, rebuking others of wrong actions.

Well, they passed a law in ’64
To give those who ain’t got, a little more
But it only goes so far
‘Cause the law don’t change another’s mind
When all it sees at the hiring time
Is the line on the color bar
But who knows

Despite a new law passed into legislation, it took society time to change from its evil racist ways.

That’s just the way it is
Some things’ll never change (right)
That’s just the way it is
That’s just they way it is, it is, when you’re waiting.

People were afraid to push the status quo, following the crowd instead of being a leader. This lack of action frustrated Bruce.

Final Thoughts:

I grew up in the 1980;s with an African American neighbor. Marvin was just a normal teenager beside the color of his skin. One day I ended up getting in a fight to protect. While I tried to de-escalate this situation, I put the safety of my neighbor ahead of my own. Despite receiving bumps and bruises, this one act endeared me to Marvin’s parents until I moved away in college. While society has changed for the better, there is still plenty of room for improvement.

by Jay Mankus

The Message Behind the Music-March 31

Ella Fitzgerald and Duke Ellington “It Don’t Mean A Thing (If It Ain’t Got That Swing)”

Inspiration Behind It Don’t Mean a Thing If It Ain’t Got That Swing:

Duke Ellington composed It Don’t Mean a Thing If It Ain’t Got That Swing in 1931 when Swing music was the dominant sound. This song was written by Bubber Miley where words were selected to encourage listeners to get on the dance floor. While the overall lyrics are repetitive, the essence of jazz combined with rhythmic propulsion still keep It Don’t Mean a Thing If It Ain’t Got That Swing in the rotation of songs on classical radio stations. During a reboot of this song on the Ed Sullivan Show, Ella Fitzgerald joined Duke Ellington to bring It Don’t Mean a Thing If It Ain’t Got That Swing back to life in 1965.

Biblical Application:

Praise the Lord.[a] Sing to the Lord a new song, his praise in the assembly of his faithful people. Let Israel rejoice in their Maker; let the people of Zion be glad in their King.Let them praise his name with dancing and make music to him with timbrel and harp, Psalm 149:1-3.

Exegesis of It Don’t Mean a Thing If It Ain’t Got That Swing:

What good is melody, what good is music
If it ain’t possessin’ something sweet?
Nah, it ain’t the melody and it ain’t the music
There’s something else that makes this tune complete

This is the original lyrics when Duke teamed up with Louis Armstrong. From Duke’s perspective of music, its goal is to elicit a response from listeners to dance. Perhaps Duke is referring to the emotion, jazz and soul put into a song by musicians which makes one song stand out from another.

Yes, it don’t mean a thing, if it ain’t got that swing
Well, it don’t mean a thing, all you got to do is sing
It makes no difference if it’s sweet or hot
Just give that rhythm everything you got

This song was designed to make listeners swing, dancing to the beat and melody. When rhythm is fueled by passion, It Don’t Mean a Thing If It Ain’t Got That Swing comes alive.

Yes, it don’t mean a thing, if it ain’t got that swing
It don’t mean a thing, don’t mean a thing if it ain’t got that swing
I said, it don’t mean a thing, if it ain’t got that swing
Nah, it makes no difference if it’s sweet or hot
Just give that rhythm everything you got
Don’t mean a thing, boy, if it ain’t that a swing

Artists like Ella Fitzgerald and Duke Ellington were not only entertainers but they wanted their audiences to have fun while dancing the night away.

Final Thoughts:

It’s important not to glance over different eras of music. I grew up in an age where punk rock was king, until the next style took center stage. As artists continue to express their feelings through songs, swing music is still worth pursuing in ballroom dancing classes offered throughout the country. This concludes a month dedicated to famous female bands and women in music.

by Jay Mankus

The Message Behind the Music-January 31

Inspiration Behind I Love Rock N’ Roll:

The inspiration behind Joan Jett’s song is an evolution of artists who sought to compose a rock song that would stand the test of time. This quest began with the Rolling Stones song “It’s Only Rock ‘N’ Roll (But I Like It). Upon hearing this, The Arrows lead singer Alan Merrill was inspired to create a modern equivalent. This spawned I Love Rock N’ Roll which Joan Jett made famous.

Biblical Application:

Be very careful, then, how you live—not as unwise but as wise, 16 making the most of every opportunity, because the days are evil. 17 Therefore do not be foolish, but understand what the Lord’s will is. 18 Do not get drunk on wine, which leads to debauchery. Instead, be filled with the Spirit, 19 speaking to one another with psalms, hymns, and songs from the Spirit. Sing and make music from your heart to the Lord, 20 always giving thanks to God the Father for everything, in the name of our Lord Jesus Christ, Ephesians 5:15-20.

Exegesis of I Love Rock N’ Roll:

I saw him dancin’ there by the record machine
I knew he must’ve been about 17
The beat was goin’ strong
Playin’ my favorite song

The opening stanza takes listeners b ack to a time period when diners and restaurants either had a jukebox per booth or a large one where music could be played while you were waiting for your food to arrive. Joan observes a teenager dancing next to a jukebox. The selected song had a great beat and was Joan’s favorite song.

And I could tell it wouldn’t be long
‘Til he was with me, yeah, me
And I could tell it wouldn’t be long
‘Til he was with me, yeah, me, singin’

Whether this was love at first sight or two fans coming together to celebrate their favorite song, Joan had a feeling that they would soon be together singing on the dance floor.

“I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with me”
Ow!

Before apps, computers, and music devices, teenagers gathered around a radio listening to their local station, waiting to hear their new favorite song. Back in the early 1980’s, the only way to hear an entire album was go to the mall to purchase a tape cassette or vinyl record. The less a song was played, the more excited you were to hear it once your radio station played it. The jukebox was the social center of an establishment. Hit songs were played over and over again.

He smiled, so I got up and asked for his name
“That don’t matter”, he said, “‘Cause it’s all the same”
Said, “Can I take you home where we can be alone?”

Normally, guys would wait for a slow song before asking a girl to dance. However, in this case, the bond for music created an instant connection between these two.

And next, we were movin’ on, he was with me, yeah, me
Next, we were movin’ on, he was with me, yeah, me, singin’

Joan’s dream came true, now a couple thanks to a common interest in the same artist.

“I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with me”
Ow!

Music is a way to celebrate life.

Said, “Can I take you home where we can be alone?

Next, we were movin’ on, he was with me, yeah, me
And we’ll be movin’ on and singin’ that same old song
Yeah, with me, singin’

Love and relationships can happen fast when you share a common interest.

“I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with me”

Music can unite people.

I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with-

This repetitive chorus encourages listeners to dance.

I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with-

I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with-

There was a time when local high schools had a dance every month. These events were like scenes from Footloose as teenagers express their individuality through dancing. Dancing alone is awkward, but when you are with someone else it’s easier to stay on beat and get in a groove.

I love rock ‘n roll
So put another dime in the jukebox, baby
I love rock ‘n roll
So come and take your time and dance with me

Joan sings about a time in America that doesn’t exist anymore as teenagers are too distracted by their phones and social media. Social interaction has been lost and stunted due to the lack of hangouts that exist centered around music.

Final Thoughts:

I was an extremely shy teenager until I went to my first high school dance as a sophomore. Although I didn’t know what I was doing, I tried to emulate my cross-country teammates. Once I learned how to dance by developing my own unique moves, I became confident like Joan, seeing myself with someone I liked, no longer afraid to ask a girl to dance during a ballad.

by Jay Mankus

The Message Behind the Music-January 27

Inspiration Behind Back in Black:

I grew up in a time when conversative leaders began to correlate rock music with worshipping the Devil. While this genre of music does encourage a rebellious spirit, not every rock song is evil. Back in Black was conceived following the death of AC/DC’s lead singer Bon Scott. The lyrics reflect Scott’s reckless lifestyle, always living on the edge. Although Bon used up his nine lives, Back in Black served as a tribute to this singer, focusing on the positive aspects of his life.

Biblical Application:

Everyone who sins breaks the law; in fact, sin is lawlessness. But you know that he appeared so that he might take away our sins. And in him is no sin. No one who lives in him keeps on sinning. No one who continues to sin has either seen him or known him, 1 John 3:4-6.

Exegesis of Back in Black:

Back in black, I hit the sack
I’ve been too long, I’m glad to be back
Yes, I’m let loose from the noose
That’s kept me hangin’ about
I’m just a-lookin’ at the sky ’cause it’s gettin’ me high
Forget the hearse, ’cause I’ll never die
I got nine lives, cat’s eyes
Abusin’ every one of them and runnin’ wild

Bon Scott possessed a dare devil spirit within him like Evil Knievel. Bon is not the first musician to lose control of his life, dying prematurely. Like a cat that keeps escaping death, Scott began to think he was indestructible.

‘Cause I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well, I’m back in black
Yes, I’m back in black

The chorus suggests that Bon is back with AC/DC in spirit.

Oh, back in the back of a Cadillac
Number one with a bullet, I’m a power pack
Yes, I’m in a band with a gang
They’ve got to catch me if they want me to hang
‘Cause I’m back on the track, and I’m beatin’ the flack
Nobody’s gonna get me on another rap
So look at me now, I’m just a-makin’ my play
Don’t try to push your luck, just get out of my way

This stanza uses rhymes to remember Bon. He was the life of the party, always pushing his luck and didn’t want anyone to tell him what to do.

‘Cause I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well, I’m back in black
Yes, I’m back in black

Well, I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well, I’m back in black
Yes, I’m back in black, ow!

Rock music isn’t always about the lyrics. Back in Black has stood the test of time due to the beat and sound.

Ah, yeah
Oh, yeah
Take my love
Oh, yeah
Yeah
Ah, yeah-yeah
Oh, yeah

Bon loved life, especially as a lead singer of a famous rock band.

Well, I’m back (I’m back)
Back, well I’m (I’m back)
Back (I’m back)
Back (I’m back)
Back (I’m back)
Back, back in black
Yes, I’m back in black

While this song may bring back the memory of their friend, dying in his prime.

Outta the sack

This final line is either referring to a body bag or Bon never slept, staying out late until the party was over.

Final Thoughts:

AC/DC songs were a staple at the local roller-skating rink that I went to every Friday night in Junior High. When I wasn’t in the arcade playing Pac Man, songs like Back in Black moved me to get back on the roller rink floor. Most people know at least one friend whose life resembles a young Bon Scott. May this blog inspire you to intervene in some manner before it’s too late.

by Jay Mankus

The Message Behind the Music-January 21

Inspiration Behind Rock Me Amadeus:

Falco went to see the film Amadeus in 1984. After this movie, Falco became fascinated with Amadeus. Falco set out to compose a song that would celebrate of genius of Wolfgang Amadeus Mozart. Reflecting upon the rivalry between Mozart and Antonio Salieri, Falco’s creative juices flowed to mix synth-pop with rap. Once complete, Rock Me Amadeus became a worldwide hit.

Biblical Application:

For I do not want you to be ignorant of the fact, brothers and sisters, that our ancestors were all under the cloud and that they all passed through the sea. They were all baptized into Moses in the cloud and in the sea. They all ate the same spiritual food and drank the same spiritual drink; for they drank from the spiritual rock that accompanied them, and that rock was Christ. Nevertheless, God was not pleased with most of them; their bodies were scattered in the wilderness. Now these things occurred as examples to keep us from setting our hearts on evil things as they did, 1 Corinthians 10:1-6.

Exegesis of Rock Me Amadeus:

Rock me, rock me, rock me, rock me, rock me, Amadeus

Rock me all the time to the top

If you were inspired by a classical musician, this is not the way you would begin a tribute song. Yet, Falco appears to wonder, “what if Mozart was a rock star?”

Er war ein Punker und er lebte in der großen Stadt
Es war in Wien, war Vienna, wo er alles tat
Er hatte Schulden, denn er trank, doch ihn liebten alle Frauen
Und jede rief: “Yeah, Come on and rock me, Amadeus”

Falco transitions from his native German back to English. Falco refers to Amadeus as the punk rock star of his day. While his weakness for alcohol made his poor, the woman of his day loved him. Sometimes lyrics are secondary to a beat and melody which likely explains why Rock Me Amadeus became a global hit.

Er war Superstar, er war populär
Er war so exaltiert, because er hatte Flair
Er war ein Virtuose, war ‘n Rockidol
Und alles rief: “Yeah, come and rock me, Amadeus”

Falco uses German to celebrate. the greatness of Mozart.

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus
Come and rock me, Amadeus

The bland repetitive song writing didn’t make this song a hit. It was the rhythm and style that moved listeners.

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus (ey!)

Falco was surely obsessed with Amadeus. Perhaps’ Falco’s English was limited at the time of this recording which led to repeating Amadeus over and over again.

Es war um siebzehn-hundert-achtzig und es war in Wien
No plastic money anymore, die Banken gegen ihn
Woher die Schulden kamen, war wohl jedermann bekannt
Er war ein Mann der Frauen, Frauen liebten seinen Punk

Falco provides the historical context of what Amadeus had to overcome. Amadeus rose above these circumstances to be an elite classical musician.

Er war Superstar, er war so populär
Er war zu exaltiert, genau das war sein Flair
Er war ein Virtuose, war ‘n Rockidol
Und alles ruft noch heute: “Come and rock me, Amadeus”

Amadeus was a superstar of his day with flair.

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus
Oh, come and rock me, Amadeus

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus
Come and rock me, Amadeus

Oh, come and rock me, Amadeus

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus (come and rock me, Amadeus)

Amadeus, Amadeus, Amadeus
Amadeus, Amadeus, Amadeus
Amadeus, Amadeus
Oh, oh, oh, Amadeus (Amadeus, Amadeus)

(Amadeus, Amadeus)

(Ama-ama-ama-amadeus)
(Ama-ama-amadeus)

Oh, come and, come and rock me, Amadeus

Perhaps Falco could have ended this song sooner, but the basic chorus suggests limited English at the time this song was written.

Amadeus (-deus, -deus, -deus, -deus, -deus, -deus, -deus, -deus, -deus, -deus)

Final Thoughts:

In the entertainment industry, sex appeal sells average and mediocre products. In the case of Rock Me Amadeus, the lyrics are underwhelming at best. Yet, the sound, beat and unique style made Falco a giant one hit wonder that is still aired on radio stations today.

by Jay Mankus